Oil paint is slow, and every convention of the style comes from that. Because the paint stays wet for days, colours can be blended on the canvas itself and layers can be built over weeks: a dark underpainting first, then opaque body colour, then thin transparent glazes that let the layers beneath glow through.
That layering is what makes oil look different from any other painted medium. Shadows are transparent and warm rather than grey, because you are seeing several layers at once. Highlights sit physically on top, thick enough to catch real light. Naming impasto and glaze in a prompt asks for both ends of that range at the same time.
The other inheritance is subject matter. Four centuries of still life, portraiture and interiors taught the medium to reward weight β fruit, fabric, metal, skin. Give Artlist something with mass and one strong window light and the style does the rest almost by itself.